How to Save a Life
Author: Sara Zarr
Publication Date: 10/18/11
Publisher: Little Brown

Blurb (GR): Jill MacSweeny just wishes everything could go back to normal. But ever since her dad died, she's been isolating herself from her boyfriend, her best friends--everyone who wants to support her. And when her mom decides to adopt a baby, it feels like she's somehow trying to replace a lost family member with a new one.

Mandy Kalinowski understands what it's like to grow up unwanted--to be raised by a mother who never intended to have a child. So when Mandy becomes pregnant, one thing she's sure of is that she wants a better life for her baby. It's harder to be sure of herself. Will she ever find someone to care for her, too?

As their worlds change around them, Jill and Mandy must learn to both let go and hold on, and that nothing is as easy--or as difficult--as it seems.

Critically acclaimed author and National Book Award finalist Sara Zarr delivers a heart-wrenching story, told from dual perspectives, about the many roads that can lead us home.

Review:

Reading Sara Zarr reminds me of that old Hemingway quote, “There is nothing to writing. All you do is sit down at a typewriter and bleed.” Boy does she know how to do that.  Only, she translates every emotion with such stark, raw purity that it feels like I am the one bleeding.  Maybe not everyone has been a pregnant teenager with a dreadful home life or a hostile, sarcastic girl who’s just lost her closest support, but I think that it would be hard for anyone not to find something to relate to in these girls.

Mandy and Jill are two girls who want more.  Mandy is eight months pregnant and takes a desperate chance on Robin, a middle aged widow who agrees to adopt her child with no contracts, lawyers, or social workers.  Jill is Robin’s daughter, still reeling from the loss of her father only a year ago, and highly suspicious of Mandy and her motivations.  These girls couldn’t possibly have less in common, but they are thrown together, and they may end up
impacting each other’s lives in unexpected ways.

Each Sara Zarr novel that I have read features a young woman dealing with conflict in her life and learning to cope, and yet none of these girls feel at all like the same person.  Each novel feels original.  And that’s true here as well:  Mandy and Jill have very distinct personalities and voices.  I could relate to Mandy’s insecurity as a potential mother, to her confusion about who she is, to her firm conviction about who she’s not.  I could also relate to Jill; to her desperate fear of love and intimacy, after experiencing real loss for the first time.

I like the love interests, but I love that they don’t play a major role in this story.  This is a story about Mandy and Jill finding peace and certainty within themselves, and learning to trust.  The only part of this story that doesn’t feel quite real to me is the end.  But, I think that most of you know by now that I have a hard time with happy endings.  What seems incongruous to me, will probably only increase the popularity of this book.  Who doesn’t love a happy 
ending?

SPOILERS AHEAD
Me. 

Maybe it’s because I could relate so much to Mandy’s doubts that she would be a good mother.  That’s not something that goes away as soon as your baby is born and placed into your arms.  There’s no magical balm for that.  I have had to earn what little confidence I have piece by piece, one bedtime, one meal, one scraped knee at a time.  I guess I wanted to see some of that in Mandy – that everything wasn’t magically fixed.  And I know that Christopher should be told about the baby, but it felt too much like Mandy seeking for some kind of outside completion, outside validation.  She doesn’t need that. 

END SPOILERS

Perfect Musical Pairing

Mumford & Sons – Timshel

I love this album for these books.  This song is such a healing balm, which is something that I think both Mandy and Jill need.  It has two distinct phrases, which remind me so much of Mandy and Jill.

Jill:
"Cold is the water
It freezes your already cold mind
Already cold, cold mind
And death is at your doorstep
And it will steal your innocence
But it will not steal your substance"

and Mandy:
"And you are the mother
The mother of your baby child
The one to whom you gave life
 And you have your choices
And these are what make man great
His ladder to the stars"

4.5/5 Stars

The Book Thief
Author: Markus Zusak
Publication Date: 3/14/06
Publisher: Knopf

Blurb (GR): It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .

Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau.

This is an unforgettable story about the ability of books to feed the soul. 


Review:
I find it so exciting that every book is its own adventure. Though each of them is merely a cover and pieces of paper, the author has filled it with words that make it unique and the reader has only vague ideas of what might be coming in the hours of reading ahead. This book has been haunting me foryears. I attempted to read it several times and ended up just putting it down but since my new book club picked it for our first meeting, I was somewhat obligated to finish it. I'm extremely glad I did. 

This novel, narrated by Death itself, tells the story of a young German girl, Liesel Meiminger, growing up during the Holocaust/WWII era. She starts her life with her mother and brother and we follow her journey as a foster child in a small town outside Munich. Though this book is labeled young adult, for reasons completely unknown to me (perhaps merely the fact that Liesel is a child?), I definitely enjoyed it as literature. Then again, you'd never hear me utter a blasphemous word about the young adult genre--as it stands, I find myself reading about 70% young adult literature these days. I guess the point I am trying (horribly) to make here is that it saddens me that perhaps less people will have easy access or hear of this book (or the many, many other AMAZING young adult books) because of marketing and chosen publishing audiences. 

The narration of this book took a little getting used to, but once I was with the program, I found Death's asides to be some of my favorite parts of the book. He (she?) filled me in with those details that might be left hanging in other books. Death also left a lot of vivid imagery for my imagination, though Liesel and Max's relationship was what brought me the most pleasure from this story. I found the descriptions of the clouds lovely and the thought of the brightness of the stars blinding Max was rather poignant. 

It was definitely interesting reading a story from the German aspect of WWII. Though I am doubtful that any story relating to the atrocities of the Holocaust can actually be termed "accessible," I thought Zusak did a great job of describing what one girl's life during that period could've encompassed. I loved her friendship with Rudy and the characters in the neighborhood were perfect--every neighborhood has people like each of them. 

The most meaningful part of this book to me was the way it nailed the wonders of being a reader. Mark Twain once said, "The man who does not read good books has no advantage over the man who cannot read them." Liesel was on a mission to learn to read and her journey of learning and then of actually reading certain stories defined a lot of her experiences. Reading is powerful, just look at how much influence Hitler had with Mein Kampf. (sorry to state the obvious) Not a day goes by that I don't think of at least one idea from a book I've read or about what I want to read next. There is an unlimited supply of adventures out there for those that are looking for something--I'm only saddened by the fact that more people don't realize what they are missing. 

5/5 stars

Plain Kate
Author: Erin Bow
Publication Date: 9/1/10
Publisher: Arthur A. Levine

Blurb (GR): The drizzle had broken into patches as they walked. As Drina scooped up the pale sand, Kate found herself standing in the smudge of shadow cast by the deadfall. She had never before noticed the way shadows gave things weight, made them look heavy and real and connected to the ground. Without hers... 

She edged into the light. 

Her shadow looked strange and thinned. It seemed not cast against the ground, but floating above it, like a fog. What Linay had said was true: No one would notice this, at first. It was just an uneasy little change, like the half-felt movement of a boat that slowly induces a great sickness. 

Plain Kate lives in a world of superstitions and curses, where a song can heal a wound and a shadow can work deep magic. As the wood-carver's daughter, Kate held a carving knife before a spoon, and her wooden talismans are so fine that some even call her “witch-blade”: a dangerous nickname in a country where witches are hunted and burned in the square. 

For Kate and her village have fallen on hard times. Kate’s father has died, leaving her alone in the world. And a mysterious fog now covers the countryside, ruining crops and spreading fear of hunger and sickness. The townspeople are looking for someone to blame, and their eyes have fallen on Kate. 

Enter Linay, a stranger with a proposition: In exchange for her shadow, he’ll give Kate the means to escape the angry town, and what’s more, he’ll grant her heart’s wish. It’s a chance for her to start over, to find a home, a family, a place to belong. But Kate soon realizes she can't live shadowless forever -- and that Linay's designs are darker than she ever dreamed .

Review:
I cannot believe this is Erin Bow's first novel. In the acknowledgments she mentions that she worked on this book for six years--it shows. From the first page, the author drops you into the story and there honestly was no drag throughout the entire book. We are introduced to Kate and her father, both woodcarvers who live in Similae. The surrounding communities have been plagued with death, torrential rains, and crop damage and the people of Kate's town, as well as other towns, are on the lookout for witches who could be causing the troubles. After Kate's father passes away, she is left quite alone in the world. This book follows her in her journey to survive and, geez, does Kate have it rough. 

The ease and accessibility of reading this book, as well as Kate's age indicate that this is more of a middle reader book. However, the themes of this book are very dark--murder, hanging witches, raising the dead. death. dying. just tons of dying. *sigh* But Kate is one of the most upbeat and scrappy characters I've ever read. She stands up for herself and is loyal to her friends. Speaking of friends, Kate has a speaking cat, Taggle, who is a total highlight of this work. He is hilarious and their friendship seems more realistic than many human friendships I've read as of late. There is really no romance to speak of and I'm glad of it--it would feel inappropriate in this case and the story supports itself without a romantic element. 

Erin Bow's writing style is lovely--informative and descriptive without bogging the story down. (like when you think about reading Tolkien and then decide that you'd like to actually get somewhere on the journey instead of reading a description of a mossy rock for a whole page. Fine, you caught me, I'm exaggerating, but you get my point!) I will definitely read anything she writes in the future. I hope she makes the jump up to YA or even to adult fantasy. 

4/5 stars

The Fault in Our Stars
Author: John Green
Publication Date: 1/10/12
Publisher: Dutton Juvenile

Blurb (GR): Diagnosed with Stage IV thyroid cancer at 12, Hazel was prepared to die until, at 14, a medical miracle shrunk the tumours in her lungs... for now.

Two years post-miracle, sixteen-year-old Hazel is post-everything else, too; post-high school, post-friends and post-normalcy. And even though she could live for a long time (whatever that means), Hazel lives tethered to an oxygen tank, the tumours tenuously kept at bay with a constant chemical assault.

Enter Augustus Waters. A match made at cancer kid support group, Augustus is gorgeous, in remission, and shockingly to her, interested in Hazel. Being with Augustus is both an unexpected destination and a long-needed journey, pushing Hazel to re-examine how sickness and health, life and death, will define her and the legacy that everyone leaves behind.

Review:
The Fault in Our Stars currently has a rating of 4.74 on Goodreads, almost everyone I know has given it 5 stars, therefore I'm certain no one would want to read my sour musings, except me and maybe a couple of other like-minded and unimpressed.

What I'd love to know is this - what makes a writer undertake the topic of cancer? So much has already been written about it, so many Lifetime movies filmed, so many tears shed. It literally has been done to death. What new did John Green have to bring to the cancer table?

The way I see it, nothing. Having your terminally sick characters be ironic about their illnesses and swap cancer jokes isn't groundbreaking.

The Fault in Our Stars isn't a bad book, but it's a standard cancer book, and, sadly, a standard John Green book, with standard John Green humor and standard John Green characters speaking in the very same John Green voice.

You have a witty and intelligent protagonist (this time 2, Hazel and Augustus - a female and male versions of Miles/Quentin/Colin), a funny, slightly pathetic sidekick (Isaac - another version of Hassan/Chip/Marcus), a mysterious, unhinged girl, Gus's dead ex (Alaska/Margo clone), and, of course, the signature ROAD TRIP. I can't help but recognize these people and this plot, I've read all of Green's novels.

I understand why so many readers would have such an emotional response to the book. Nothing will get the ladies crying quicker than a kid dying of cancer. Add in some long farewells, painkillers, eulogies and funerals - you can collect buckets of tears. But, IMO, here Green aims for the most obvious, the most easily accessible emotions, for the most typical "life lessons." And for all Green's attempts to be subversive and to make fun of "cancer cliches" - inspirational quotes, heroic cancer survivors, etc. he ended up writing about exactly the same things.

Frankly, I think The Fault in Our Stars is Green's weakest work to date, weaker even than half-baked Zombicorns. Because this, unlike his earlier works, feels commercial and intentionally tearjerky and insincere. It will probably sell the most copies.

3/5 stars

How to Save a Life
Author: Sara Zarr
Publication Date: 10/18/11
Publisher: Little, Brown Books for Young Adults

Blurb (GR): Jill MacSweeny just wishes everything could go back to normal. But ever since her dad died, she's been isolating herself from her boyfriend, her best friends--everyone who wants to support her. And when her mom decides to adopt a baby, it feels like she's somehow trying to replace a lost family member with a new one.
Mandy Kalinowski understands what it's like to grow up unwanted--to be raised by a mother who never intended to have a child. So when Mandy becomes pregnant, one thing she's sure of is that she wants a better life for her baby. It's harder to be sure of herself. Will she ever find someone to care for her, too?

As their worlds change around them, Jill and Mandy must learn to both let go and hold on, and that nothing is as easy--or as difficult--as it seems.

Critically acclaimed author and National Book Award finalist Sara Zarr delivers a heart-wrenching story, told from dual perspectives, about the many roads that can lead us home.

Review:
Frankly, I was taken aback by the synopsis of Sara Zarr's new novel when I first read it. Told from the perspectives of 2 teen girls - Mandy, who is pregnant and is considering to give up her baby for adoption, and Jill, the only daughter of a recently widowed woman who wants to take in Mandy's child - it felt just too cheaply 16 and Pregnant to me. Plus there are some themes in YA that I absolutely have no interest in reading about - teen pregnancy is right there, at the top of that list. But I was proven once again that a good writer can crash my preconceived notions. In How to Save a Life Sara Zarr offers something very special.

What Zarr is best as is character development. Both protagonists in this novel are fairly unlikable.

Jill is mourning her father. Essentially, she is a mean bitch. Yes, she has an excuse - her dad's death - but she is still a very unpleasant person - cynical, rude and off-putting.

And then there is Mandy. Mandy made me very uncomfortable at first. You know the type of people who throw themselves at you, needing attention, who will stick to you and will tell you everything about their lives and will consider you their best friend within a few minutes of knowing you? That is Mandy.

I don't know how Zarr does it, but once again she made me appreciate her characters that I first thought very difficult and unpleasant. Maybe not love them, but understand them and revel in their growth and transformation. These two girls' journey to accept and get the best out of each other was truly magical.

I believe How to Save a Life is Sara Zarr's best novel to date. It certainly made me cry harder than any other book of hers. One astute friend of mine pointed out the biggest flaw of this work to me - its utterly predictable outcome - and I absolutely agree with it, however the novel was so marvelously consuming that I didn't even realize that the ending was exactly the one I wished for. Is this a bad thing?

5/5 stars

Looking For Alibrandi
Author: Melina Marchetta
Publication Date: 1992
Publisher: Puffin

Blurb (GR):
For as long as Josephine Alibrandi can remember, it’s just been her, her mom, and her grandmother. Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.

Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.

Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.

Review:
When I was in school, we routinely had to complete projects about our heritage. People asked (and still ask) “what are you?” meaning what is your nationality. A lot of these projects ended up with discussions about why third or fourth generation Americans still call themselves Irish, Italian, Korean, Filipino, Greek, etc. instead of saying they are American first. My blood is pretty watered down at this point—Irish, Swedish, German, Spanish…but it really doesn’t matter. I’m sure kids in other primarily immigrant countries had to do the same kinds of projects/presentations. I identify most with the mish-mash of cultural traditions that my immediate family celebrates and those of my dearest friends than those of any specific country from which my ancestors hailed. Sometimes I wish I was full-blooded something, or at least enough that I could be part of an ethnic community but until American Mutt becomes an ethnic category I think I’m out of luck. It is fun to go crazytime on St. Patrick’s Day, make Pepparkakor, and put sauerkraut on tons of stuff though. As much as I couldn’t connect with Josie’s Italian culture, I totally understood the Catholic school and community situation. It’s a close-knit community and everyone knows everyone else’s business. This is especially true when people have a lot of siblings. (Josie was perhaps lucky in that regard) And feeling guilty about everything? GUILTY! Anyway, I totally understood Josie’s confusion about her identity and her and several other characters’ confusion about their futures.

I kept putting this book off because it was the last contemporary YA Marchetta book that I’d yet to read, and I’ve been told many times that it was probably her weakest book. (which to me meant that it would still be better than 98% of the YA out there) Turns out I think it was my favorite Melina Marchetta reading experience to date. The narrator for the audiobook was perfect. I watched the movie the other day and I almost wished (slash actually did wish) that some of the characters had the narrator’s voice instead of the actors’ voices. I wish I could take back watching the movie because it felt trivial compared the book. I suppose that is what I truly enjoyed most about the book, though—Josie was living everyday life and getting up to no good with her friends, seeing a boy her family might disapprove of, and feuding with a girl at school but all the while she was thinking of her cultural identity, what she would do in the future, how people’s individual life choices affect where their paths go, and about the difference between sadness and pure despair. (I absolutely bawled during the death and funeral scenes)

I think I felt a real affinity to Josie as a student-- our experiences weren’t that far off. All-girl’s Catholic school. Uniforms. Nuns. She is much more of an overachiever than I was. I never cut school but I used to leave early when I had free periods to hang out at my sister’s apartment and play cards and watch movies. (oooo, rebel.) Anyway, I’m sure you all don’t give a crap about my high school antics and really, if you aren’t already reading Melina Marchetta’s books, I don’t know what I could do to persuade you. I could tell you that her books are beautifully written, that each one of them is emotional in a different way, that her characters are multidimensional, that she understands families and friendships more than most authors, and that each one of her books is a favorite of mine. All of that is true, and if you haven’t already started reading her back catalog, you are truly missing out. But if you’re still reading this I bet you’re my friend and you already have read one or more of her books. That’s one of the reasons you are awesome. (Yeah, you.)

5/5 stars

Feeling Sorry For Celia
Author: Jaclyn Moriarty
Publication Date: 1/10/02
Publisher: St. Martin's Griffin

Blurb (GR):
Life is pretty complicated for Elizabeth Clarry. Her best friend Celia keeps disappearing, her absent father suddenly reappears, and her communication with her mother consists entirely of wacky notes left on the fridge. On top of everything else, because her English teacher wants to rekindle the "Joy of the Envelope," a Complete and Utter Stranger knows more about Elizabeth than anyone else.

But Elizabeth is on the verge of some major changes. She may lose her best friend, find a wonderful new friend, kiss the sexiest guy alive, and run in a marathon.
So much can happen in the time it takes to write a letter...

A #1 bestseller in Australia, this fabulous debut is a funny, touching, revealing story written entirely in the form of letters, messages, postcards—and bizarre missives from imaginary organizations like The Cold Hard Truth Association.

Feeling Sorry for Celia captures, with rare acuity, female friendship and the bonding and parting that occurs as we grow. Jaclyn Moriarty's hilariously candid novel shows that the roller coaster ride of being a teenager is every bit as fun as we remember—and every bit as harrowing.

Review:
HERE IS A REVIEW!!!! RIGHT HERE ON YOUR COMPUTER SCREEN!!!

Like the other Jaclyn Moriarty book I read recently (Finding Cassie Crazy), this is written in epistolary format and includes letters, the backs of postcards, and random notes. The notes from Elizabeth’s mother were probably my favorite bits as they all started in a similar way to how I started this review (HERE IS A NOTE!!! RIGHT NEXT TO THE REFRIGERATOR!!! ) and her mother would give her topics to think on and/or discuss—what she thinks of purple nail polish, what a catchy slogan could be for a product, or thoughts on socks. (I have a lot of thoughts on socks and have, on numerous occasions, been accused (rightly) of stealing socks from my roommates. I practice the old “sibling rule” that if you leave it in my room, it becomes mine.) Liz’s mother cracked me up--“I hope you feel better today. Please ring me at work if you are dead."

Because I read one other Ashbury High book before this one, I can’t help but compare and I enjoyed Finding Cassie Crazy more. The humor was more consistent and I found myself more invested in each of the relationships. The tone here felt more serious and, while I did find much of it humorous, those moments were further apart. (how many times can I say the word ‘more’?) Rather than focusing on a group of friends and their pen pals, Feeling Sorry for Celia catalogs the formation of one friendship (Liz and her pen pal Christina) while Liz is simultaneously having trouble in her relationship with her best friend Celia. I had a hard time with Celia’s character because she was flighty and (overly) adventurous. I see how Celia’s home situation contributed to her wanderlust but it doesn’t mean that I think she’s a good friend to Liz. The developing friendship between Liz and Christina was lovely, as they both supported each other from the get-go and actually cared what was going on in the other’s life. Celia seemed like one of those friends you dread calling because they will just ramble on about their life and never ask you about how you’re doing.

My friend and I were talking the other day about authors we adore enough to read everything they ever write. I think Jaclyn Moriarty is a kindred spirit. (Anne with an ‘e’ would definitely think so) She is funny, her characters are endearing, and she is successful at wring epistolary YA. Keep doing it, JM, and I will keep buying and reading everything you write. In fact, I have the two remaining Ashbury/Brookfield books already lined up.

3.5/5 stars

Forgotten
Author: Cat Patrick
Publication Date: 6/7/11
Publisher: Little Brown

Blurb (GR): Each night when 16 year-old London Lane goes to sleep, her whole world disappears. In the morning, all that's left is a note telling her about a day she can't remember. The whole scenario doesn't exactly make high school or dating that hot guy whose name she can't seem to recall any easier. But when London starts experiencing disturbing visions she can't make sense of, she realizes it's time to learn a little more about the past she keeps forgetting-before it destroys her future.

Part psychological drama, part romance, and part mystery, this thought-provoking novel will inspire readers to consider the what-if's in their own lives and recognize the power they have to control their destinies

Review:

_You had me, Cat Patrick. You had me for a significant portion of this novel. Then you totally lost me. You did, however, inspire me to read up on short-term memory loss. For those of you wondering what the heck that has to with anything, this book’s main character is a teenage girl who “resets” every morning around 4am. Each night, she writes notes for herself of things she needs to read for school, what she should wear tomorrow, and any developments with family and friends. The entire book keeps the reader wondering what the impetus for the memory loss was and whether London Lane (yes) will be able to regain some of her lost memories.

London’s mother and best friend know of her memory situation but there is no mention of anyone else knowing—do her peers her teachers know? I feel it is unbelievable if they don’t. There is no way that someone can write notes for their entire life and keep them detailed enough to pass as a normal in everyday life. Right? Think of all the details. Updating herself on every day of her life every single morning? I’m skeptical. Another point that creeped me out a bit was London’s relationship with Luke. If every day is the first day you are meeting someone, it is beyond creepy that you would ever sleep with him. Or love him. Sure, I can see London trusting herself in her notes but she really had no reason to because she repeatedly wrote what she wanted next-day London to know, not what actually happened or what she needed to know. Neither Luke nor London are having a normal relationship here and I didn’t find myself rooting for either of them.

The mystery element of this book builds slowly and then just punches you in the face at the end. In a bad way. I know I would’ve enjoyed this book more if the unraveling was simpler. (click to see the spoilers through my Goodreads review) And I know that television shows exaggerate the amount of evidence that DNA and bodies can confirm but (also, spoiler on Goodreads review) Umm, yeah.

All in all, I still thought this book was an okay read. The problems I had were all plot and character related rather than dealing with the writing style. I’ll read more of this author's works.

3/5 stars

__A Monster Calls
Author: Patrick Ness (from an idea by Siobhan Dowd), illus. by Jim Kay
Publication Date: 9/15/11
Publisher: Candlewick

Blurb (GR): This is an extraordinarily moving novel about coming to terms with loss. The monster showed up just after midnight. As they do. But it isn’t the monster Conor’s been expecting. He’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments, the one with the darkness and the wind and the screaming. . . .

This monster, though, is something different. Something ancient, something wild. And it wants the most dangerous thing of all from Conor.
It wants the truth.

Patrick Ness spins a tale from the final story idea of Siobhan Dowd, whose premature death from cancer prevented her from writing it herself. Darkly mischievous and painfully funny, A Monster Calls is an extraordinarily moving novel about coming to terms with loss from two of our finest writers for young adults.

Review:
Last Fourth of July, I played a party game called Time’s Up with some friends. The gist of the game is that everyone has a partner and you start with a certain number of cards as a group—say 40. Each one has a different movie/television show/book title on it and you use the same cards for the entire game so if you have great recall, the game is much easier. In the first round, you try to get your partner to guess the title by describing the movie without using specific words. (like Taboo) The second round involves trying to get your partner to guess the movie by saying one word. The third round is charades. This game is hilariously fun because I get to watch people try to act out Bridge on the River Kwai and to see what the one word they’d pick is to sum something up. So many books are utterly forgettable. I read too much to remember all the details of everything over time. I reached 1,000 books read last week and so what if somewhere around 150 of those are children’s books, it is still a milestone. 1,000 books further down the line, I’ll still remember A Monster Calls. While it would be a completely useless one word sum-up for the party board game, the one word for this book is beautiful because it is just that, inside and out.


I think it is lovely that Patrick Ness took a story idea from an author we lost too early, Siobhan Dowd. I’d read reviews of A Monster Calls before going into it so I knew what I was getting into, but in case you don’t, this is about a boy dealing with losing his mother to cancer. I have not experienced the loss of a parent but this book did not feel emotionally manipulative to me, and from what I’ve taken away from other reviews, the feelings reflected by Conor ring true for at least a large portion of people who have gone through that nightmare themselves. No part of the book felt cliché to me either, which I frankly found surprising. There is an absolute skill to taking a heavier theme, writing a book for children or young adults, and making it not only accessible but I daresay appealing to adults. I’ve never read anything Ness has written beyond this but I definitely will be doing so. He isn’t condescending to children. He doesn’t tell saccharine fairy tales, and I loved that. I guessed what the monster was there for all along but that takes nothing away from the book and the way the yew tree was brought into the story, through references and illustrations by Jim Kay was perfect. On Kay’s website, he discusses the cover image and says,

“I have very fond childhood memories of being in the back seat of a car watching fields and farmland rush by. During the hour of twilight, the familiar objects began to lose their definition, became dark, anonymous forms. The countryside at night through the window of a car was both frightening and compelling; the everyday merged with the unknown, and this is how Patrick’s story felt to me.” (1)

You and me, both, Mr. Kay. The eerie artwork paired perfectly with Conor's story. The whole book felt like he was stuck in an in-between place, which I suppose he was. Those aren't places I like to spend a lot of time but every once in a while...

I won a signed copy of this from my friend Jo's blog, Wear the Old Coat. It was definitely a prized treasure of mine from the moment I unwrapped the parcel.

5/5 stars